Porcelain vase with a truncated cone-shaped body that narrows at the neck to open into a pourer with jagged edges and a phytomorphic appearance.
Two playful figures of cherubs are positioned among fluttering drapes to decorate this passage point; the male placed at the back of the pourer, portrayed while climbing with baroque theatricality, occupies the traditional position of the handle, making it function. The female, on the opposite side, in an upright position and arching her body, acts as a bridge between the end of the lip of the pourer and the shoulder of the vase, taking on the appearance of a figurehead. The two figures, the drapery and the upper edge are painted in fine gold.
The vase is painted in polychrome with a decoration of roses mainly in shades of pink and yellow among green leaves and which stand out against a background of a very intense, non-uniform purple, but also textured with ton sur ton petals and leaves. The painted roses are those collected in the private garden of Villa Ginori, painted live according to custom and with that realistic rendering that is typical of the style of the Florists, painters who in the early twentieth century gave life to an elegant and innovative production in an Art Nouveau style.
Doccia, Florence;  1900-1910.